From the workshop discussion emerges an open-source, collaborative diary for creating archival alliances. We identify “commoning the archive” as a disobedient, decolonized, autonomous, subversive and rogue practice. Hereby, we can approach it as a collective mnemonic practice involving communities themselves in memory-making processes as opposed to the state-led construction of history. Alongside the diary, we present a map that includes and involves do-it-yourself archives, activist archives, participatory community archives, anarchives, autonomous archives, disobedient archives, feminist and LGBTQI archives, and so on, they all function as different forms of non-institutional archives dedicated to archive all kinds of data, objects, memories, oral histories, human experiences, feelings, emotions and affect for human rights activism, social justice, commons’ struggle, subculture, empowerment, visibility, collectivity and so on.
- This contribution is published as the workshop findings of “Archival Burnout in the Age of Vulnerability: [Disobedient] Commons and their Dilemmas, Speculations, Emotions”. The workshop was convened by Özge Çelikaslan and Naz Cuguoğlu and took place online from October 2021 – March 2022 as part of the Whole Life Academy Berlin. ↑
This contribution is published in the framework of the Whole Life Academy as part of the workshop “Archival Burnout in the Age of Vulnerability: [Disobedient] Commons and their Dilemmas, Speculations, Emotions“.
This essay explores the plural notion of “ethnofuturisms” by employing a comparative approach. The cultural and political vicissitudes of “futurist” tropes are traced in literary and audiovisual creations that engage with the national, ethnic, and/or racial contexts of the Middle East, African diaspora, East Asia, and former Eastern Bloc.
Epistolary narrative, dialogism, intertextuality, speculative narrative — we imagine this text to be letters between the two of us across different temporalities, making use of a speculative and fragmented narrative in line with the themes we explore in our work: archiving the unarchivable, emotions, memories, and other human conditions within the horizon of extinction.
The legacy of anti-colonial leader and Pan-Africanist revolutionary Amílcar Cabral (1924-1973) still calls for cultural readings, and not strictly political ones. Contemporary art, so-called “artistic research” and critical theory will benefit from a cross-disciplinary approach which puts Cabral as relevant to art or which turns Cabral’s many contributions into tools.
This video interweaves the mobility of defiance against national-colonial borders and the collection of gossips by Southeast Asian migrants in Berlin.
The audio map “biography of kecak” is an attempt to decrease this discrepancy between the singularity of archival knowledge and the multiplicity of individual realiities – using the sonic as its material.
These images were taken in the frame of The Whole Life Academy. Laura Fiorio accompanied the project as a photographer from the beginning in 2019 and developed her own approach of documenting archival sites and methods.
Interrogating the archive of “green” extractivism is not just about uncovering access to knowledge, legal knowledge, for example, that can help expose (ecological and economic) crime and that can thus be a starting point for empowering true alternatives and thus alternative ways of living and organizing economic processes. It is also about creating a resonant space for shared thinking and reflection.
Accumulation and multiplication of images is an accumulation of the hidden histories behind them. How do we recover these invisible histories?
Scanning the Horizon works with and towards the seemingly unattainable, yet powerfully generative utopian demands of queer life set out on the horizon.
This workshop addressed archives as related to overlapping sites of nature/culture, climate change, deep time, and the built environment. The following texts and visual materials offer insight into individual participants’ research on